Wari

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Das Reich der Wari war eine der vor-inkaischen Regionalkulturen Südamerikas und existierte in der Zeit von etwa 6n. Chr. entlang der Küstenregion des heutigen Peru. Das Reich der Wari (oder: Huari) ['wari] war eine der vor-inkaischen Regionalkulturen Südamerikas und existierte in der Zeit von etwa 6n​. Wari bezeichnet. Wari', ein indigenes Volk im brasilianischen Urwald; Wari (​Dawu), eine Gemeinde im Kreis Dawu in der chinesischen Provinz Sichuan; Wari​. With myWari you get the best of Wari! With or without a Wari Account, myWari allows you to perform all your financial or commercial transactions, daily. Entdecken Sie Wari von M.Y.B. bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei wardentech.co

Wari

givirida/mosone geroda/sose Godhabet gibodan/unde min sculd wari. metdina/ moh mina Messa nigelofeda/sose Got habet gebodan/unde min sculd wari. Wari bezeichnet. Wari', ein indigenes Volk im brasilianischen Urwald; Wari (​Dawu), eine Gemeinde im Kreis Dawu in der chinesischen Provinz Sichuan; Wari​. Entdecken Sie Wari von M.Y.B. bei Amazon Music. Werbefrei streamen oder als CD und MP3 kaufen bei wardentech.co

Wari Video

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Airtime Top-up. At Your Service. Financial partners. Commercial partners. This city was the center of a civilization that covered much of the highlands and coast of modern Peru.

However, there is still a debate whether the Wari dominated the Central Coast or the polities on the Central Coast were commercial states capable of interacting with the Wari people without being politically dominated by them.

Early on, the Wari expanded their territory to include the ancient oracle center of Pachacamac , though it seems to have remained largely autonomous.

Later, the Wari became dominant in much of the territory of the earlier Moche and later Chimu cultures.

The reason for this expansion has been debated; it is believed to have been driven by religious conversion, the spread of agricultural knowledge specifically terrace agriculture , or military conquest.

Evidence of the violence present in Wari culture is most visible at the city of Conchopata. As a result of centuries of drought, the Wari culture began to deteriorate around AD.

Archeologists have determined that the city of Wari was dramatically depopulated by AD, although it continued to be occupied by a small number of descendant groups.

Buildings in Wari and in other government centers had doorways that were deliberately blocked up, as if the Wari intended to return, someday when the rains returned.

In the meantime, the dwindling residents of the Wari cities ceased all major construction. Archaeological evidence shows significant levels of interpersonal violence, suggesting that warfare and raiding increased amongst rival groups upon the collapse of the Wari state structure.

Little is known about the details of the Wari administrative structure, as they did not appear to use a form of written record.

Instead, they used a tool called khipu , or "knot record. The discovery in early of an undisturbed royal tomb, El Castillo de Huarmey , offers new insight into the social and political influence of the Wari during this period.

The variety and extent of the burial items accompanying the three royal women indicate a culture with significant material wealth and the power to dominate a significant part of northern coastal Peru for many decades.

Another example of burials helping to establish social stratification is in the city of Conchopata where the remains of more than individuals have been found.

Prior to its excavation, the city was believed to be that of potters, but the burials studied instead showed that there were servants, middle-class, elite, and even perhaps low kings or governors occupying the city.

During its expansion period, the Wari state established architecturally distinctive administrative centers in many of its provinces, but they often did not have formal planning as many other Andean cities did.

These centers are clearly different from the architecture of Tiwanaku , which is believed to have been a more federalized state by some scholars such as John W.

Wari architecture was most often made of rough fieldstones that had been coated in white plaster. The compounds were usually large, rectangular enclosures with no windows, just a few entries, and the sites had no central place for people to gather for rituals or ceremonies.

This is in almost direct contrast with Tiwanaku where there was a more open architectural plan that could easily accommodate multiple people at once.

A form of architecture distinctive to Wari was the use of D shaped structures. These structures were commonly used for temples and were relatively small at only 10 meters.

Scholars were able to look at the Inca's to reconstruct some of the architecture of the Wari. Along the Inca highway system, several Wari provincial sites were found, suggesting that the Wari used a similar road network.

They also created new fields with terraced field technology, which the Inca's also drew inspiration from.

The Wari are particularly known for their textiles, which were well-preserved in desert burials. The standardization of textile motifs serves as artistic evidence of state control over elite art production in the Wari state.

There are between six and nine miles of thread in each tunic, and they often feature highly abstracted versions of typical Andean artistic motifs, such as the Staff God.

It is possible that these abstract designs served "a mysterious or esoteric code to keep out uninitiated foreign subjects" and that the geometric distortions made the wearer's chest appear larger to reflect their high rank.

The Wari also produced highly sophisticated metalwork and ceramics, with similar designs to the textiles.

The most common metals used were silver and copper, though gold Wari artifacts also survive. The most common metal objects were qiru , bowls, jewelry, mummy bundle masks, mantle pins, and sheet figures who demonstrate how the tunics were worn.

Conchopata appears to have been the ceramic center of Wari culture given the high quantities of pottery tools, firing rooms, pit kilns , potsherds , and ceramic molds.

In one of the D shaped temples at Conchopata, there were large smashed chicha vessels on the floor and human heads placed as offerings as a form of human sacrifice.

Four-cornered hat, — CE, Brooklyn Museum. Wari tunic, Peru, — CE: This tunic is made of separate small pieces of cloth, each individually tie-dyed.

Ceramics of the period depict high-status men wearing this style of tunic. Pikillaqta administrative center, built by the Wari civilization in Cusco.

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